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Exhibitions

Libby Leshgold Gallery, Emily Carr University of Art + Design

Meymey’em | Ripple

Primrose and Alfred Adams | Haida, Morgan Asoyuf | Ts’msyen Eagle Clan Lax Kwallams, Dempsey Bob | Tahltan-Tlingit, Corey Bulpitt | Haida Dale Campbell | Tahltan / Tlingit, Beau Dick | Kwakwaka’wakw, Cole Speck | Kwakwaka’wakw, Brenda Crabtree | Nlaka’pamux and Sto: lo, Andrea Diane Cook | Haida, Ben Davidson | Haida, Teri-Lynn Williams Davidson | Haida, Dean Hunt | Heiltsuk Nation, Waglisla (Bella Bella), Shawn Hunt | Heiltsuk Nation, Waglisla (Bella Bella), Luke Marston | Salish, Ray Natraoro | Coast Salish / Squamish, Lawrence Paul Yuxweluptun Lets’lo:tseltun | Coast Salish and Okanagan, Skeena Reece | Cree, Tsimshian, Gitksan, and Métis , Deborah Sparrow | Musqueam, Moy Sutherland | Nuu-chah-nulth, Marika Swan | Tla-o-qui-aht/ Nuu-chah-nulth, Laura Wee Lay Laq | Sto:lo, Found vintage footage of Salish canoe racing recovered by Terrence Loychuk

Curated by Dana Claxton | Wood Mountain Lakota

June 2–July 3, 2022
Dean Hunt, Megalodon Shark Pendant, yellow cedar, 2017. Image courtesy of the artist.

Libby Leshgold Gallery is pleased to present Ripple, an exhibition presented by the Aboriginal Gathering Collective and curated by Dana Claxton.

First Nations art is among the most vivid and distinctive artwork in North America. It flourishes as an integral part of Indigenous cultures who live today, as they have for thousands of years, surrounded by old growth forests, mountains, oceans, islands, and an abundance of animal and sea life. The people live in different regions and form distinct cultural groups which cultivate their own artistic styles. They create exquisite art forms with materials gathered from the natural world, art stores, and many other sources.

The theme of this exhibition is water, and it showcases the artwork of 22 established and emerging Indigenous artists. The exhibition explores the water theme through Northwest Coast formline, storytelling, and the sharing of cultural art making and traditional practice. The artwork includes carving, weaving, jewelry, painting, sculpture, printmaking, video, baskets, clay works, hats, masks, canoe bailers, paddles, and more. The distinct uniqueness of these forms and the use of local natural materials create an exhibition that highlights Indigenous art practices that originate from here.

Ripple presents work from the following artists:

Primrose and Alfred Adams | Haida
Morgan Asoyuf | Ts’msyen Eagle Clan Lax Kwallams
Dempsey Bob | Tahltan-Tlingit
Corey Bulpitt | Haida
Dale Campbell | Tahltan / Tlingit
Beau Dick | Kwakwaka’wakw
Cole Speck | Kwakwaka’wakw
Brenda Crabtree | Nlaka’pamux and Sto: lo
Andrea Diane Cook | Haida
Ben Davidson | Haida
Teri-Lynn Williams Davidson | Haida
Dean Hunt | Heiltsuk Nation, Waglisla (Bella Bella)
Shawn Hunt | Heiltsuk Nation, Waglisla (Bella Bella)
Luke Marston | Salish
Ray Natraoro | Coast Salish / Squamish
Lawrence Paul Yuxweluptun Lets’lo:tseltun | Coast Salish and Okanagan
Skeena Reece | Cree, Tsimshian, Gitksan, and Métis
Deborah Sparrow | Musqueam
Moy Sutherland | Nuu-chah-nulth
Marika Swan | Tla-o-qui-aht/ Nuu-chah-nulth
Laura Wee Lay Laq | Sto:lo
Found vintage footage of Salish canoe racing recovered by Terrence Loychuk

Curated by Dana Claxton | Wood Mountain Lakota

EXHIBITION GALLERY

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Installation view, Meymey’em | Ripple, 2022. Photo credit: Blaine Campbell.
Installation view, Meymey’em | Ripple, 2022. Photo credit: Blaine Campbell.
Installation view, Meymey’em | Ripple, 2022. Photo credit: Blaine Campbell.
Installation view, Meymey’em | Ripple, 2022. Photo credit: Blaine Campbell.
Installation view, Meymey’em | Ripple, 2022. Photo credit: Blaine Campbell.
Installation view, Meymey’em | Ripple, 2022. Photo credit: Blaine Campbell.
Dean Hunt, Megalodon Shark Pendant, 2017. Photo credit: Blaine Campbell.
Installation view, Meymey’em | Ripple, 2022. Photo credit: Blaine Campbell.
Moy Sutherland, Raven Paddle, 2021. Photo credit: Blaine Campbell.
Moy Sutherland, Humpback Whale Paddle, 2020. Photo credit: Blaine Campbell.
Beau Dick, Winalagalis (War Spirit) Puppet, 2015. Photo credit: Blaine Campbell.
Cole Speck, Wind Mask, 2022. Photo credit: Blaine Campbell.
Lawrence Paul Yuxweluptun Lets’lo:tseltun, Untitled (Landscape), 2022. Photo credit: Blaine Campbell.
Brenda Crabtree, Canada Geese, 2022. Photo credit: Blaine Campbell.
Shawn Hunt, Spirit Bear, 2020. Photo credit: Blaine Campbell.
Marika Swan, Your Power is Yours, 2018. Photo credit: Blaine Campbell.
Terri-Lynn Williams Davidson, Naw Jaada/Octopus Woman, 2017. Photo credit: Blaine Campbell.
Primrose Adams and Alfred Adams, Chief Beaver Hat with Five Rings, 2009. Photo credit: Blaine Campbell.
Dempsey Bob, Beaver Portrait Mask, 2002. Photo credit: Blaine Campbell.
Dale Campbell, Salmon Woman, 2021. Photo credit: Blaine Campbell.
Corey Bulpitt, Octopus, 2018. Photo credit: Blaine Campbell.
Luke Marston, Salish Salmon Charmer, 2018. Photo credit: Blaine Campbell.
Ray Natraoro, Canoe Bailers, 2021. Photo credit: Blaine Campbell.
Laura Wee Láy Láq, Meymeyem (ripple), 2022. Photo credit: Blaine Campbell.
Beau Dick, Clam Shell Rattle, 1984. Photo credit: Blaine Campbell.
Andrea Diane Cook, Halibut Hook, 2020. Photo credit: Blaine Campbell.
Morgan Asoyuf, Violet Pearl Necklace, 2020. Photo credit: Blaine Campbell.
Morgan Asoyuf, Clam Shell Earrings, 2020. Photo credit: Blaine Campbell.
Installation view, Meymey’em | Ripple, 2022. Photo credit: Blaine Campbell.
Skeena Reece, Touch Me, 2004–2014. Photo credit: Blaine Campbell.
Ben Davidson, Crab of the Woods, 2007. Photo credit: Blaine Campbell.